British baritone George Clark made his operatic debut at the Tiroler Festspiele Erl in summer 2025, appearing as The Artisan and The Collector in George Benjamin’s opera Picture a Day Like This. He is 1st prize winner of the Fanny-Hensel-Wettbewerb 2026 Lied-duo at Schloß Weißenbrunn. He is currently an Artist in Residence at the Queen Elisabeth Music Chapel in Brussels, under the mentorship of Sophie Koch and Stéphane Degout. This year he has been selected as a prizewinner of the Royaumont Abbaye et Fondation Mélodie–Lied Campus 2026. He was a finalist at the 28th International Singing Competition Lied-Duo in Clermont-Ferrand and won 4th prize at the Copenhagen Lied Competition 2025.

In the 2024/25 season, he sang at the Deutsche Oper am Rhein in Abraham’s Märchen im Grand Hotel and performed the title roles in Viktor Ullmann’s Der Kaiser von Atlantis and Kurt Weill’s Der Zar lässt sich fotografieren at the Robert Schumann Hochschule Düsseldorf. In 2023, he won first prize at the Sieghard Rometsch Wettbewerb in the category of chamber music and was engaged at the Bayerische Staatsoper as a member of the semi-chorus in Brett Dean’s Hamlet.

He has appeared in recital with the renowned pianist Eric Schneider, most notably at the Concerts d’été à St Germain music festival in Geneva in August 2024, and previously for the Im Zentrum Lied concert series in Cologne. Concert highlights include Mahler’s Rückert-Lieder with the Filarmonica de Stat Dinu Lipatti in Satu Mare, Romania; Mahler’s Lieder eines fahrenden Gesellen with symphony orchestra at the Orchester Zentrum in Dortmund; and Brahms’s Die schöne Magelone at the Schauspielhaus Düsseldorf.

Operatic roles include Ramiro (L‘heure espagnole, Ravel)at the Queen Elizabeth Chapel, Marcello (La Bohème, Puccini), Il Conte (Le nozze di Figaro, Mozart), and L’horloge comtoise / Le chat (L’enfant et les sortilèges, Ravel) for RSH Opera productions; Collatinus (The Rape of Lucretia, Britten) for Aspect Opera (York); and L’Arbre (L’enfant et les sortilèges, Ravel) and Drebednev (Paradise Moscow, Shostakovich) for the University of York Opera Society.

His choral work includes singing and recording with I Fagiolini, most notably appearing live on BBC Newsnight to promote their Prom in 2017. He was a member of the Genesis Sixteen 2017–18 cohort and subsequently sang with The Sixteen on their Queen of Heaven tour in 2019. He continues to work as a freelance chorister in NRW, Germany, collaborating with ensembles such as Buffoni Ensemble, Chorwerk Ruhr, Rheinstimmen Ensemble, and Chorbüro.

George Clark grew up in Cornwall, where he began singing as a chorister at Truro Cathedral before holding a bass choral scholarship. From 2015–2018, he sang as a bass choral scholar at York Minster and graduated from the University of York with a First-Class Honours degree in Music. In April 2024, he completed a Master of Music at the Robert Schumann Hochschule Düsseldorf, where he studied with Prof. Konrad Jarnot.

“George Clark‘s singing was marked by versatility and richness of nuance”

— Dmitry Ablogin

©Xiomara Bender

“George Clark (‚Artisan/Collector‘) impressed with technical mastery, stage presence and well-grounded musicality.”

— Der Opernfreund

©Sandra Then

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Recorded in 2022 with pianist Eric Schneider

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